> I'd drop Sexy Beast from the list. As good as
Kingsley's performance
> was, it was one-note played incesantly; I guess I
wanted more dynamics.
> And why was Ray What's His Name so essential to the
caprer, all he did
> was jackhammer a hole in a wall and swim through
it?
I usually shy away from movie discussions here that aren;t
tied to writing, but in this case, just got to say that
you;re wrong, wrong, wrong. A great movie. The dynamics were
all there, so I thought, and it worked like a charm. A more
sophisticated and interesting movie than Snatch, which I
thought shared a little of the sensibility here, especially
with the
"surreal" elements.
And where would we be without guys to jackhammer holes in the
wall?
NSmith
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