--- In email@example.com, Kevin Burton Smith <kvnsmith@...>
> > That's too bad. Personally
> > I found it one of the funnest, most innovative and visually boldest
> > movies of 2005.
> Funny? Most of the humour was of the eyeball-rolling type. I'm not
> even sure the humour was intentional, half the time.
"funnest" not funniest.
> The raves (not quite as widespread as you may imagine, by the way),
> were mostly (and justifiably) for the hi-tech visuals, cinematic
> silicone of the highest order, and not the storytelling.
Here's a small assortment (yes, I'm bored right now--I finished a
novel last week and am looking for any excuse not to start another one...)
From Peter Travers, Rolling Stones:
"Sin City is a hard, cold, relentless assault. It's also something
Hollywood seems to have given up on: a bold, uncompromised vision."
Roger Ebert, Chicago Sun-Times:
"It's a visualization of the pulp noir imagination, uncompromising and
extreme. Yes, and brilliant."
James Berardinelli, Reel Views:
"Sin City is the most visually inventive comic book adaptation to make
its way to a movie screen. While other directors have attempted to
remain faithful to the look and "feel" of their source material,
Robert Rodriguez has taken things a step further, by using Frank
Miller's graphic novels as storyboards and immersing the audience
neck-deep in the noir currents of Miller's den of iniquity. It's easy
to get lost in Sin City. There's something to appreciate around every
corner - the gritty characters, the uncompromising story, and, most of
all, visuals to astound and amaze. "Eye candy" doesn't even begin to
describe what Rodriguez has accomplished."
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