Re: RARA-AVIS: Re: The Breaking Point (Calling our man Beaver)

Date: 30 Jun 2008

> Absolutely! THE MISFITS is the only truly great Monroe vehicle. I'd love to
> have seen her in a script like Molly Ringwald's FRESH HORSES. Not that
> Ringwald wasn't great in that very disturbing tale. But the Marilyn thing would
> completely explained Andrew McCarthy's inability to let it go. She was never
> used as she should have been except for THE MISFITS script by her husband. And
> that was her last film, too.

I believe (without checking) that it was also Gable's. and Clift's penultimate

John Lau

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