--- jacquesdebierue <
jacquesdebierue@yahoo.com> wrote:
There are
> plenty of examples of great over the top noir
and
> also great examples
> of very spare noir.
***************************************************** When I
keyed my last comment I was just trying to think of examples
of subtle noir. It seems to me noir has to verge on melodrama
to BE noir. What examples of subtle noir can you think
of?
Even Fitzgerald's THE BEAUTIFUL AND DAMNED, which IS noir by
most of our definitions, can hardly be called spare or
subtle.
Patrick King
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