Mario wrote:
That sounds like Robbe-Grillet. For complete insurance
against having any fun, I suggest a combined dose of
Robbe-Grillet and the late Marguerite Duras.
************* Haha! There is still a power to Jealousy that
is hypnotic, a moth-drawn-to-fire sort of fascination. A
friend of mine knew a musician named Tim Hardin. He once
played a short piece with all the notes and then played it
again with unplayed notes. The emotion lay in the second
method. Robbe-Grillet is good at unplayed notes. What is left
out imparts intensity. It builds instead of spilling over the
pages. The minimal and restrained dialogue accents the
killing of the centipede. The description of the positioning
of the banana trees, the natives building the bridge, and the
worn paint on the woodwork are all juxtaposed against what is
not stated.
miker
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