Re: RARA-AVIS: Re: Has anyone changed noir writing (lately)?

From: Stewart Wilson ( stewart@stewartwilson.com)
Date: 20 Mar 2007

Hi Kerry, You need to start at the beginning: THE LONG-LEGGED FLY (1992). It stands well by itself, but each of the following books relies on what went before to a varying degree. The final book would be undecipherable without having read the previous ones.

No relation to Merve that I know of.

Thanks for the tip on Harvey's INSIDE. I'm about a quarter in, and enjoying it. Cheers,
--Stewart

On 3/20/07, Kerry J. Schooley < gsp.schoo@murderoutthere.com> wrote:
>
> Thanks Stewart. I'll give him a try. Any particular title you'd
> recommend as a start?
>
> Oh, and any relation to Merve?
>
> Best,
> Kerry
>
> At 04:54 PM 19/03/2007, you wrote:
>
> >On 3/19/07, Kerry J. Schooley
> ><<mailto:gsp.schoo%40murderoutthere.com> gsp.schoo@murderoutthere.com>
> wrote:
> >
> > >
> > > >"We don't like po-mo here, though there's no reason a
> > > >story cannot be po-mo and noir at the same time, so
> > > >far as I can tell."
> > >
> > >
> >Sallis's Lew Griffin series is noir, employs each po-mo technique that
> Miker
> >enumerated to great extent, and couldn't be better liked.
> >
> >--
> >Stewart Wilson
> >Toronto, ON
> >
> >[Non-text portions of this message have been removed]
> >
> >
>
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-- 
Stewart Wilson
Toronto, ON




[Non-text portions of this message have been removed]

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