Kevin Burton Smith mentioned recent noir films like BRICK and
HOLLYWOODLAND, and someone else mentioned MEMENTO.
A film that that really got into me, although the story was
told inside out and upside down, was MULLHOLLAND DRIVE.
I thought HOLLYWOOD CONFIDENTIAL was pretty good too, but I
suppose we can't call that recent. The only thing wrong was
the street scenes. There seemed to be no crowds on what
should be crowded, or at least partially crowded,
streets.
I suppose it would have cost too much to hire the extras or
maybe there weren't enough costumes to go around.
Jack Bludis
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