RARA-AVIS: Re: S鲩e Noire

From: al_guthrie65 ( allan@allanguthrie.co.uk)
Date: 21 Dec 2006


Dave,

Isn't 'a confrontation with death' what leads these 'walking dead' protagonists to their final hopeless state? The 'confrontation with death' I mention below doesn't have to be the protagonist's own. It usually isn't. Mortality is nonetheless key. Think of Mike Hammer in that brilliantly noir opening chapter of ONE ENDLESS NIGHT
(otherwise a terrible novel). We've probably all read detective novels where death has little consequence, where a murder is just a problem to be solved. But in noir, death's reach is long and its grasp is firm. And, unfortunately, there's no one to chop its arm off at the elbow. Not even Mike Hammer.

As for the electric chair analogy, I was thinking of Marv from SIN CITY. Hardboiled, and then some.

Al

--- In rara-avis-l@yahoogroups.com, "Dave Zeltserman" <dz@...> wrote:
>
> Al,
>
> I agree with your mortality angle in a sense--except instead of
> physical mortality I look at it more as a spiritual mortality; the
> noir character has been screwed over or psychically damaged to the
> point where there's just no hope. So many great noir books, like
> Thompson's "Hell of a Woman" and "Pop. 1280" leave these
> protagonists as the walking dead--they may be alive at the end,
but
> there's no future for them. "Double Indemity" leaves Walter Huff
and
> Phyliss eagerly awaiting death because that's all they have left.
> Your eletric chair analogy is kind of interesting because it
brings
> to mind the Cagney film "Angels with Dirty Faces" where Cagney's
> Rocky doesn't give a shit about being strapped to the chair at the
> end, but what makes this such great noir is he gives up the one
> thing he has left--sacrificing his reputation to try to save some
> kids from following in his footsteps. Yeah, he performs a last act
> of herorism in the end, but it still feels like noir to me.
>
> --Dave Z.
>
>
> --- In rara-avis-l@yahoogroups.com, "al_guthrie65" <allan@> wrote:
> >
> > 'Screwed' is close but it doesn't take attitude into account.
You
> > can strap a man in an electric chair and fry his brains but if
he
> > doesn't give a shit, it's not noir.
> >
> > Mortality has always been a fundamental part of noir for me.
> > Consequently, I'd suggest that noir might be defined as 'a
> > confrontation with death by someone ill-equipped to deal with
it'.
> >
> > Al



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