Re: RARA-AVIS: Film noir musical drama?

From: Kerry J. Schooley ( gsp.schoo@murderoutthere.com)
Date: 25 Jan 2006


At 09:12 AM 25/01/2006 -0500, you wrote:
>I watched it. It hit enough of the real details to support a claim of
>'loosely-based'. I think Kerry might have been disappointed at the lack
>of Hamiltonian references. In fact, it looked very much like they used
>on old Toronto uniform for the streetcar scenes. The closest thing to a
>local reference was when the cop asked Evelyn about someone she saw
>arguing with her husband, "Was he a foreigner?" With a slow half-nod
>she responded "I think he was from Windsor."

Ha! Good one.

As for the lack of Hamilton references, it happens so often that disappointment is beyond being useless. If you live in the centre of the universe (Toronto) a place like Hamilton, 30 miles away, is back of beyond. This does seem to be changing lately, however, so maybe the next time location is forgotten, I may, in fact, be disappointed again.

What fascinates me is what a good murder reveals about a particular community at a specific time, the way The Black Dahlia reveals LA and its Hollywood dreams compared to, say, the OJ Simpson case. For an industrial backwater with a relatively short history, Hamilton has a long, cherished history of gore, of which the Dick murder is just one of the better known.
(Which is why Toronto needs to adopt it as its own, of course.)

Thanks for this, Kerry

>Cheers,
>--Stewart
>
>Karin Montin wrote:
> > Unfortunately, I missed the program, tuning in just in time to catch
> the Armenian singer's visit to her ancestral homeland.
> >
>
>
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