I saw the two films made of Thompson's THE GETAWAY recently
and could not help noticing that neither would touch the
wonderful ending of the novel, when Doc and Carol , after
getting out of the Manure pile, got transported to the
Mexican stronghold from which no one could escape, except by
the natural process of , shall we say to avoid a *spoiler,*
making the eventual process "through the guts of a beggar."
It reminded me of the refusal of Hollywood to film Cain's
ending to DOUBLE INDEMNITY, which also shows the ultimate
consequence of predatory behavior (Phyllis the bride of
death, etc). The end of Bogart/Bacall's THE BIG SLEEP is
similar, where organized crime boss (i.e., CEO) Eddie Mars is
killed, instead of, as Chandler would much more honestly have
it, being humbly bargained with by Marlowe ("I'll talk with
Eddie"). Does anyone have other examples of Hollywood
"squeamishness" (which is probably not the right word).
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