Fritz Lang once said in an interview that there is no
violence in
"M" (1932), in which Peter Lorre murders small children with
his knife. Audience imagines it all. Lang shows nothing, yet
he makes it happen in the front of an audience.
That's my two-bits on violence.
(Yet I've been rewriting my supposedly first novel (fingers
crossed) and it's filled with on-stage violence and I'm
aiming to put more into it. I don't do what I teach.)
Juri
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