Woody Haut:
"On the larger point, I stand by the main points in both Pulp
Culture and Neon Noir- the Cold War and the Vietnam War were
major factors in producing the conditions that produced the
literature. (---) Though you might disagree or find fault
with the details presented in any or all of my books, I don't
think anyone would dispute the fact that noir/hardboiled
fiction is not produced in isolation, but is dependent on
various historical and cultural factors."
I'm absolutely with you and even though I did find faults in
your books (more in "Pulp Culture" than in "Neon Noir"), I
tend to agree with you and have been using your books as a
source in my own writings and studies. Especially your
analysis of Lionel White strikes me as pretty accurate, even
though it could be the case that White himself wouldn't think
the same.
And you are not alone - just check "Noir America" by Dave
Cochran and you find pretty much the same conclusions about
the Cold War paranoia and the societal consensus behind which
the conflicts are. (Cochran's point of view is larger,
though, than in your book - he discusses TV shows, such as
Twilight Zone, and B movies, such as Roger Corman's "The
Intruder". (They have something in common - Charles Beaumont
as a writer.))
Nice to hear from you, Woody!
Juri
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