Hate to disagree again with the "film noir" purists, but in
content "The Grifters" is as noir as a film gets. Let's just
call it "noir" without calling it "film noir."
"The Big Clock" with Ray Miland, although "film noir" is not
noir in content because of the happy ending. Neither is "The
Maltese Falcon" or most of Chandler. "Murder, My Sweet," is
"Film Noir" without being noir in content--unless you
consider it Moose Malloy's story.
"Film Noir," I believe refers to the way a film is made as
well as it's dark content. Noir refers to the darkness of the
subjecet matter.
Jack Bludis
===== Now: "The Big Switch," and "The Deal Killer" This
summer "Shadow of the Dahlia." http://www.jackbludis.com
--updated 5-27-04 Shamus nominee "Munchies" Best Short
Story
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