Re: RARA-AVIS: Hardboiled Hollywood

From: Al Guthrie ( allanguthrie@ukonline.co.uk)
Date: 04 Mar 2003


----- Original Message ----- From: "Robison Michael R CNIN" < Robison_M@crane.navy.mil> To: < rara-avis@icomm.ca> Sent: Tuesday, March 04, 2003 6:37 PM Subject: RARA-AVIS: Hardboiled Hollywood

> When did the "Hollywood" subgenre of hardboiled or noir pop
> up, and what are some of the notable originating stories and
> novels? With my very limited reading, McCoy's 1935 THEY SHOOT
> HORSES, DON'T THEY? is the earliest one I can think of. Be-
> yond that Hallas' YOU PLAY THE BLACK AND THE RED COMES UP
> (1938) and Nathanael West's DAY OF THE LOCUST (1939) come to
> mind. Is there anything earlier than McCoy's? Are there any
> others in the 1930s?

Horace McCoy's I SHOULD HAVE STAYED HOME (1938) is about a studio publicist and budding writer. Hollywood also features in James Cain's SERENADE
(1937).

>What about later?

Bill Gault's DEATH OUT OF FOCUS (1959). Virtually the entire cast of characters are producers, directors or actors.

Al

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