> At 01:18 PM 25/02/2003 +1100, you wrote:
>
> >Although it's not hardboiled, I think Robert
Altman's wonderful
recent
> >movie Gosford Park shows how you can take that
form and create
something
> >totally different with it.
>
> Oh, and it had elements of noir, if not hardboil
too. How nasty that
local
> copper turned after the inspector's recall to
London. Elsewhere too,
but
> more implied than stated. As you said, a wonderful
movie.
>
> Kerry
I thought it had elements of noir also, I just didn't want to
start another donnybrook re: definitions. I think of Gosford
Park and Altman's The Long Goodbye as having a strong
connection in that Altman's taken the hatchet to two of the
most popular mystery fiction genres, seen by most people as
being polar (no pun intended, for French readers) opposites,
the cozy & the hardboiled p.i. story. I see both films as
being more in the way of comments on, rather than examples
of, their respective genres.Sort of like, "now this is how a
story like this would really go" rather than following the
conventions of the genre, which is I think the main reason
Altman chose to give The Long Goodbye a contemporary setting,
in order to emphasise, or exaggerate, the differences between
"reality" and Chandler's original story. These are just
ruminations - people are free to disagree with them, I'm not
claiming they contain any absolute truth. In other words, I
don't want to argue about it, Jim, even if you think my
notions are rather dopey.
:-) Keep smiling, Rene
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