Joseph M. Johnston (johnston@netreach.net)
Sat, 4 Dec 1999 11:12:27 -0500
On 30 Nov 99, at 14:29, Doug Bassett wrote:
>
> The more I think about it, the more I think that
this
> debate about sensitive detectives is really a
debate
> about the popularity of sensitive detectives. It's
not
> that there isn't hardboiled stuff being
published
> nowadays -- recent postings here have pointed out
many
> authors. Why, though, is the "sensitive" detective
so
> popular now?
>
This is an interesting point. Some subplots can also add
quite a bit to a story if there is a good reason for them
being there. I would be interested in people's opinion of
Walter Mosley's use of subplots in his Easy Rawlings
books.
I read them in order and found the subplots usually pushed
the plot rather than just sat there or at least enhanced the
setting which pushed the plot. In those stories Rawlings has
a lot of internal musings which show some sensitive guy
tendencies, but they also seem to to be driven by the events
of the plot tumbling on top of him.
I wonder if some would argue that Easy Rawlings wasn't
harbioled because the events of the plot took over so much
and made him appear to lose control of things so often.
=========================================================
Joseph M. Johnston, Ph.D. johnston@netreach.net
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