RARA-AVIS: Cats & More

Ted White (tedwhite@compusnet.com)
Wed, 11 Nov 1998 13:11:00 -0500 Debbie Chilson says of cats, "The female is only aggressive (unless
she is Siamese, of course) when there is a threat to her young. Why,
then, do we stereotype in this fashion-- feline=female?"

I'm tempted to say "Well, Debbie, I guess you've never had two female
cats, then," but that would be unkind. Cats are individuals and vary
as much as we do. *I* have two female cats (aunt and niece) who
can't stand each other and between whom I must mediate frequently.
They are quite aggressive; neither are capable (now) of bearing
young. I feed them in separate shifts, and one lives mostly out of
doors, while the other is (especially in the winter) mostly an indoors
cat. These are, again, their choices, not mine.

As for why feline=female, well, feline moves are more likely to be
interpreted as feminine in humans of either gender. Cats have a
female softness, while dogs have a male muscular compactness. No
doubt other comparisons can be found.

Mark Sullivan's query about John D.'s best non-Travis McGee books has
already elicited a number of recommendations, to which I can add: try
any of them. In my opinion MacDonald never wrote a bad book
(although I'd skip I COULD GO ON SINGING). In addition to his
mysteries he wrote two SF novels (BALLROOM OF THE SKIES and WINE OF
THE DREAMERS) and one delightful SF/fantasy/mystery, THE GIRL, THE
GOLD WATCH, AND EVERYTHING. One of his books I'm fond of for the
writing style used is THE BEACH GIRLS (Gold Medal) in which each
chapter has a different narrator (out of a rotating group), each
chapter ending in mid sentence.... ...And each new chapter beginning
in mid-sentence -- like a segued voice-over narration. I have a
complete collection of both DOC SAVAGE and THE SHADOW magazines;
MacDonald had a story -- often a long novella -- on most issues of
those magazines from around 1946 on, many of them not under his own
name. There is a vast wealth of unrepublished material by MacDonald
(and many others, of course) in the mystery pulps of the late forties
and early fifties.

Finally, I'd like to join the chorus of Ed Gorman's defenders. I've
read relatively little by him, but he has recently solicited new
stories from me for both SF and mystery anthologies and I find him
admirable to work with as an editor. Of course we know each other
from our days in SF fandom.

--Ted White
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