RARA-AVIS: Question from non-list member

E J M Duggan (ejmd@mcmail.com)
Wed, 04 Nov 1998 23:05:52 -0800 Below is a copy of the material sent in response to Fred Willard's
proxy. I'm sending it to the list because I thought it might provoke
some discussion on the tricky subject of defining our terms.

***

Hammett, Chandler and James M. Cain are the leading lights among what
used to be called =91the tough guy writers=92; this unholy trinity might
would now be recognised as forming the core of what me might call
=91classic=92 hard-boiled fiction. Sharing some of the hard-boiled
sensibilities of these exponents of the =91tough guy=92 style, but also
diverging from them in several important ways, are a group of writers=97a
=91second wave=92=97that might be identified as =91noir=92 rather than
=91hard-boiled=92. Among this second wave one can include Jim Thompson,
David Goodis and Cornell Woolrich. The main difference between the
classic hard-boiled writers and the =91noir writers=92=97although James M.
Cain has a foot in each camp=97can probably be characterised by two
tendencies: a tendency in hardboiled writing to paint a backdrop of
institutionalised social corruption; and a tendency in noir writing to
focus on personal pyschology, whether it is despair, paranoia or some
other psychological crisis. The two schools=97if we can call these
tendencies =91schools=92=97are by no means mutually exclusive: hard boile=
d
writing can display elements of noir, and noir writing can be
hard-boiled.

Institutionalised corruption is taken as given among the hard boiled
school: corrupt institutions (police force, judiciary, politicians).

There may be mean streets in the world of noir, but these streets are
peopled by the psychologically insecure: psychological instability is
the key characteristic among the protagonists of the noir writers, if
not the key characteristic of the noir writers themselves. =20

Paranoid insecurity, doubts and fears about identity, sexuality and
personal safety are the key fault lines in the noir personality.

***

Woolrich is part of the so-called =91Black Mask school=92 inasmuch as man=
y
of his stories were printed in Black Mask in the late nineteen-thirties
and during the nineteen forties. After Black Mask editor Joe =91Cap=92 S=
haw
was fired in 1936 for refusing to cut writer=92s rates, Fanny Ellsworth,
who has been editing a romance magazine across the corridor, was brought
in as new editor. Although she was Black Mask=92s second female editor,
her gender was hidden by the use of her initial instead of her
forename. After Shaw=92s sacking, several of his stable of loyal writers
(William F. Nolan calls them =93Cap=92s boys=94) shunned Black Mask and t=
urned
instead to rival publications for an outlet for their work. Faced with
this exodus, which included Raymond Chandler, Frederick Nebel and Paul
Cain, by the end of 1937 Ellsworth had recruited a new group of writers,
among them Cornell Woolrich. The effect of this injection of new blood
resulted in something of a =91softening=92 of Black Mask=92s hard-boiled
content.

Robert Profirio writes, =91Woolrich must be considered as comprising the
extreme wing of [the hard-boiled tradition=92s] psychological =94faction=94
... his protagonists seldom have their emotions under control ... if
they are not unstable to begin with they are rendered thus through the
effects of =93dope=94, amnesia, hypnosis or just plain fear ... Woolrich
must be included along with Hammett, Chandler and [James M.] Cain as a
major contributor to ... film noir. (pp. 88-89)=20

***

Past Masters: as mentioned above:=20
Hammett, James M. Cain, Chandler (hard boiled)
Woolrich, Goodis, Thompson, James M. Cain [again] (noir)

Current Practicioners:
Tricky. The field is wide open now, and many, many more books are being
published. Many of them are derivative of each other, and most of them
refer to some of the 'past masters' on their cover blurbs. =20

James Ellroy, however, must be included as among the current key names
in hard boiled (neo boiled?) writing. The English writer Mark Timlin is
not widely known in North America, but combines 'hard boiled-ness' with
'Englishness' in an interesting way and conveys a bleak and violent
London.=20

A deceased English ex-patriate also dominates the 'noir' end of recent
noir writing: Derek Raymond, better known in France and better known
under the pseudonym Robin Cook. Raymond's 'Factory novels' relate very
grim tales of a disturbed London policeman.

There will be others I don't know of or have forgotten.
Hopefully, other rara-avians will offer more suggestions.

Good luck for Saturday,

Eddie Duggan
--=20
+----------------------------------------------------------+
| |
| The Big House of Knowledge |
| <http://www.ejmd.mcmail.com> |

#
# To unsubscribe, say "unsubscribe rara-avis" to majordomo@icomm.ca.
# The web pages for the list are at http://www.vex.net/~buff/rara-avis/.