RARA-AVIS: "The Big Sleep"

Ted White (tedwhite@compusnet.com)
Tue, 29 Sep 1998 11:55:58 -0400 Although I have James Ellroy books on my To Be Read shelf, I've never
actually read one, and can contribute nothing to the discussion of the
man or his works. But I'm prompted to de-lurk here by Thomas Jones'
question concerning the differences in the endings of the movie and
the book of "The Big Sleep."

When I read the book (and it was the first book by Chandler I'd read)
it confused me at first precisely because it did not follow the
cliched pattern I was then used to: crime/mystery occurs in chapter
one, most of novel is spent vamping and padding (I'd read a lot of
John Dickson Carr by then) -- hopefully in an entertaining fashion --
and crime/mystery is solved in the final chapter. In TBS the initial
mystery is solved by chapter four, and the book is just starting to
pick up steam. I enjoyed the book a great deal and immediately
sought out more by Chandler. (I've reread his entire opus at least
twice since then, as I have Hammett's.) Eventually I saw the movie
(as part of a Bogart Festival, along with maybe thirty others,
including "The Maltese Falcon," which I'd seen earlier anyway). What
a letdown! The ending was missing! I didn't think it "happier," I
thought it an example of directorial confusion. Bogart was a good
Sam Spade, but he didn't fit my image of Phillip Marlowe. And while
"The Maltese Falcon" is possibly the most faithful adaptation of a
book to screen in the history of movies, "The Big Sleep" surely is
not.

Over the years my admiration for Chandler has been tempered by such
failures as "Playback" and the "Poodle Springs" fragment (I refuse to
read Parker's arrogant "collaboration"), while my admiration for
Hammett has increased. Such perfect lean prose, and such knowing
characterisations! Hammett's characters came off the streets, while
Chandler's mostly came from an imaginary demimonde of his own
devising. But I can't knock one to boost the other: each had
extraordinary strengths.

And speaking of such things, have you all read Larry Block's "The
Burglar in the Library"? A delightful sendup of the British
country-estate drawing room murder mysteries, with some telling
commentary on both Chandler and Hammett thrown in. Since he revived
the Burglar series Block has been having fun with inside
mystery-lovers' jokes, doing some wicked takes on putative Sue Grafton
book titles, among other things.

--Ted White

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