Re: RARA-AVIS: peter corris & mark timlin

Mark Sullivan (ANONYMEINC@webtv.net)
Wed, 2 Sep 1998 00:47:03 -0400 (EDT) Gary,
Thanks for the Corris bibliography, it helped fill in the gaps. One
thing, though, I think Aftershock comes before Wet Graves. In the US,
Fawcett put out the series through The January Zone (with great stylized
paintings on the covers). That book ended with Cliff driving off to
confront his half-a-year arrangement with his lover and her
other-half-of-the-year husband. The earliest book by the current
publisher is Wet Graves, which is clearly set after that confrontation.
(Bantam put out one in between, the Man in the Shadows story
collection.) So Aftershock is the one I'm missing, plus the three most
recent ones.

To anyone who has not met Cliff Hardy, the series is quite enjoyable.
It is pretty much strict genre fare, but it sustains a quality of
writing throughout the series, good plotting and Cliff is a great
character. The Australian setting makes for another level of interest.

In the same box as my Corris books I found another series I really
liked. W. Glenn Duncan wrote six paperback originals in the Rafferty
series of paperback originals, beginning with Rafferty's Rules. Another
generic PI, he always seemed to be the remedy to my increasing
displeasure with Robert Parker, before I stopped reading him altogether.
The only thing that kept me reading as long as I did was Hawk. Like
Spenser (and Easy Rawlins, come to think of it), Rafferty has a bad-ass
sidekick who does the dirty work the private eye is too noble/squeamish
to soil himself with. Other characers, including his girlfriend, fill
out the regular cast. Duncan never takes himself too seriously, keeping
the series light, with a nice sense of humor, including Rafferty's
numerous rules, which he clearly makes up on the spot, to fit whatever
the situation is, giving each its own arbitrary number. In a lot of
ways, this series was a precursor to Robert Crais's Elvis Cole, thinner
books, in pages and content, but similar appeal.

Mark

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