Re: RARA-AVIS: Realism and Reality

james.doherty@gsa.gov
11 Aug 98 12:42:00 -0400 --UNS_gsauns2_2927003240
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Recently Bill Hagen wrote

"As long as the world seems generally accurate, I look for realism in
probability of behavior and event within the given world."

The difference is this. A police procedural is a type of mystery whose *raison
d'etre* (if I'm spelling that correctly) is its technical accuracy. This is not
true, or at least less true, of PI books, spy books, crook books, etc. The
pattern was set by Jack Webb's *Dragnet* on TV, and by McBain's 87th Precinct
books and Marric's Gideon books in print. Three very different styles of
storytelling, but what they all had in common was a keen inside knowledge of the
law enforcement agencies being depicted in their work. When Anthony Boucher
first coined the term "police procedural" in 1956, he noted that main
characteristic of this type of mystery was the accurate presentation of police
work. Technical accuracy *defines* the police procedural more than any other
sub-genre of crime fiction.

Elizabeth Linnington, under her many names, was a self-described police
procedural writer. She wrote "how-to" articles enjoining other potential
procedural writers to sweat the details. In interview and articles she bragged
about how much she herself sweated the details in her novels. Consequently,
it's fair to judge her by that standard, since it's the standard she set for
herself. And by that standard, she failed.

Further, I would submit that when writers make certain pacts with their readers
depending on what kind of story they are writing. Someone who sets out to write
a fair-play whodunit is making a committment to put any clues needed to solve
the mystery in plain sight so that readers can compete with the detective.
Someone who sets out to write a PI story had better not feature a little old
lady amateur sleuth as the hero. Similarly, someone who promotes themselves as
a police procedural writer has committed him or herself to presenting police
work as accurately as possible wwithin the story s/he constructs.

Finally, I would also suggest that a writer who really knows his/her stuff will
be able to write about that profession with an authority that another writer,
just making it up as s/he goes along, cannot capture, and that this authority
will be obvious even to those readers who know little about the subject.

--UNS_gsauns2_2927003240--
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