Re: RARA-AVIS: Realism and Reality

Mark Sullivan (ANONYMEINC@webtv.net)
Mon, 10 Aug 1998 23:42:40 -0400 (EDT) I've always thought of realism as a cultural construct, and a time-bound
one at that. For instance, Hill Street Blues was praised for its
"gritty realism." However, now it does not look so realistic (though it
is no less good), now that the shakey-cam of the reality-based shows (as
opposed to reality per se, being reconstructed by editors and producers)
has taken over cop shows such as Homicide and NYPD Blues. So what I
look for is a consistent realistic tone and internal consistency.

That said, however, I must say I am annoyed by errors that I do
recognize as such. Not being in the law trade (neither enforcement nor
breaking), my first hand knowledge is minimal, so this doesn't happen a
lot. And now that I think about it, with the exception of a couple of
books like Dave Simon's great Homicide, I'm really mostly checking
fictional reality against other fictional realities. So I wonder how
many times I have taken something factual to be a mistake simply because
it does not jibe with the way the element is usually wrongly handled in
the mysteries I read.

One other thing sort of on this subject, it has become an incredible
cliche in contemporary private eye novels for a witness being questioned
to say, "Oh, you're a private eye like on TV? Like Magnum, Rockford,
insert name here?" "No ma'am, it's not nearly so excting." I have
nothing against reflexiveness in art, sometimes I get a big kick out of
it, but this has become a terribly overused way for an author to tell
readers that they are getting the real deal. It was slightly amusing
the first ten or twenty times, but it now seems to be required of every
private eye in book, TV or movie.

Mark

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