Re: RARA-AVIS: Highsmith

Sonia Abecassis (sabecass@capgemini.fr)
Sat, 14 Feb 1998 00:27:05 +0100 Apparently Highsmith was very happy with Claude Miller's "Dites lui que j=
e l'aime" (starring Depardieu ) and Michel Deville 's " Eaux profondes".

-----Message d'origine-----
De : Joshua B Lukin <jblukin@acsu.buffalo.edu>
=C0 : rara-avis@icomm.ca <rara-avis@icomm.ca>
Date : vendredi 13 f=E9vrier 1998 22:25
Objet : RARA-AVIS: Highsmith

>There are also movies of _The_Glass_Cell_, _This_Sweet_Sickness_, and
>_The_Blunderer_. Supposedly, Hitchcock and Wenders were the only adapte=
rs
>of her work whom Highsmith liked.
>I was very disappointed in the fifth Ripley novel, finding it almost
>completely devoid of substance. Does anyone feel the same about this or
>any of PH's other late novels (I'm kind of ambivalent toward
>_A_Dog's_Ransom_)?
>Another question: a publisher-friend of mine is looking to reissue some
>out-of-print Highsmiths from the Fifties. He contacted Penguin to find
>out who has the rights to them and was directed down a blind alley. Can
>anyone advise as to whom he should contact?
>The Observer, reviewing Philip Dick's _Humpty_Dumpty_in_Oakland_,
>remarked, "It is often difficult to disentangle delusion from reality, a=
s
>in a novel by Patricia Highsmith." I think too that books from this era
>in Dick's life (ca. 1960) contain a bleakness, domestic despair, and
>paranoia-erupting-into-sudden-violence that contribute to the appeal of
>Highsmith's work.
>Just a thought or two,
>Josh
>
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