Re: RARA-AVIS: SMALL CRIMES AND DRAGON TATTOO

From: Nathan Cain (IndieCrime@gmail.com)
Date: 19 Nov 2008

  • Next message: jacquesdebierue: "Re: RARA-AVIS: SMALL CRIMES AND DRAGON TATTOO"

    So, the secret to being a successful writer is to suck at it? Is that true of any other profession?.

    On Wed, Nov 19, 2008 at 7:10 PM, Allan Guthrie <allan@allanguthrie.co.uk> wrote:
    > Here's an example of something written in a "relentlessly commercial" style.
    > No prizes for guessing where it comes from -- one of the most relentlessly
    > commercial novels ever. It's full of 'tell', cliche, melodramatic language,
    > interpretation, pleonasms. And deliberately so. I'm making an observation,
    > not a judgment. The paradox at the end is most likely a mistake, mind you.
    >
    > "Renowned curator Jacques Saunière staggered through the vaulted archway of
    > the museum's Grand Gallery. He lunged for the nearest painting he could see,
    > a Carravagio. Grabbing the gilded frame, the seventy-three-year-old man
    > heaved the masterpiece toward himself until it tore from the wall and
    > Saunière collapsed backward in a heap beneath the canvas.
    > As he anticipated, a thundering iron gate fell nearby, barricading the
    > entrance to the suite. The parquet floor shook. Far off, an alarm began to
    > ring.
    > The curator lay a moment, gasping for breath, taking stock. I am still
    > alive. He crawled out from under the canvas and scanned the cavernous space
    > for someplace to hide.
    > A voice spoke, chillingly close. "Do not move."
    > On his hands and knees, the curator froze, turning his head slowly."
    >
    > ----- Original Message -----
    > From: "Nathan Cain" <IndieCrime@gmail.com>
    > Subject: Re: RARA-AVIS: SMALL CRIMES AND DRAGON TATTOO
    >
    >> What exactly is a "relentlessly commercial" style.
    >
    > [Non-text portions of this message have been removed]
    >
    >



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