> Absolutely! THE MISFITS is the only truly great
Monroe vehicle. I'd love to
> have seen her in a script like Molly Ringwald's
FRESH HORSES. Not that
> Ringwald wasn't great in that very disturbing tale.
But the Marilyn thing would
> completely explained Andrew McCarthy's inability to
let it go. She was never
> used as she should have been except for THE MISFITS
script by her husband. And
> that was her last film, too.
>
I believe (without checking) that it was also Gable's. and
Clift's penultimate
John Lau
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