But in Cooper, the dark haired sister was an adopted native
American and Chingachgook recognizes this. In Cooper the hair
color represents the talents of the two races, not good or
evil. In most noir, blonds tend to be alluring and ultimately
bad luck. Cora in Postman, Phyllis in Double Indemnity,
Kathie Moffat in Out of the Past, Blanche Du Bois in Street
Car Named Desire. Of course we can't generalize about ALL
noir writers, but blond women tend to be the cause of the
trouble in many of them. I think, in noir anyway, the very
obvious blond=pure, dark=evil type of "symbolism" is reserved
for poor examples of the genre. The better ones tend to be a
little deeper in the process.
Patrick King
--- Ed Lynskey <
e_lynskey@yahoo.com> wrote:
> ---
DJ-Anonyme@webtv.net wrote:
> > Has anyone else paid more attention? Is
this
> typical?
> >
> >
> IIRC, Cooper did this in LAST OF THE MOHICANS.
Cora
> was the
> dark-haired sister and Alice the fair-haired.
Maybe
> he was a
> prelude to what the noir writers did.
>
> I read Brewer's THE VENGEFUL VIRGIN recently
but
> didn't pick
> up on the hair color code. Intriguing idea,
though.
>
> Ed
>
>
>
>
>
>
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