The title of the book seems to refer to the minor film noir,
"Plunder Road", directed by Hubert Cornfield in 1958, which
points to the Stanley Kubrick film "The Killing", based on
Lionel White's "Clean Break".
A slight tangent: Speaking of "The Killing," does ANYBODY
think the voice-over in that film was a good idea. It
provided limitless camp/amusement for my buddies and I whgile
we were weatching, but what the heck did Kubrick have in
mind? Was he taking a playful poke at the film noir
convention of the voice-over, or is the plot really so hard
to follow that we needed the relentless explaining?
Victor Gischler
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