RARA-AVIS: starts with a high-hand, ends with love

Myshmysh@aol.com
Sat, 12 Sep 1998 19:05:21 EDT Mother of god. Some people need to chill way, way down.

I read my rara-avis mail once a week (just got through over 150 birds and
don't really see the need for half of 'em). Provides a certain perspective,
in that I don't feel any sort of knee-jerk need to respond to something--or
everything--mailed in fifteen minutes before.

It happens to be a matter of some amusement to me that the majority of my
posts sink without a ripple. I'm always sure that what I've just said is
brilliant, not to mention relevant. Imagine my consternation when no one else
thinks so. Why, I waste hours composing screeds about my victimhood. But,
gosh darn it, I just can't hold it against anyone here when I'm having such
fun just being at the party. Which is the point.

We come with a shared interest, but a host of attitudes. Damned if I don't
like the books _more_ because of the perspectives aired here--many of which
run counter to my own inclinations. Hellfire, I think Ellroy is an illiterate
punk with no style and still _White Jazz_ is on my reading pile because of
some people here. Disagreement on R-A ain't personal, and neither is being
ignored. So don't take it that way. This list, devoted to violence, is the
most civil, and least judgemental, part of cybersapce I've yet been to
(probably something to do with the fact that you have to assume everyone is
packin').

And now back to crime:
I'm hanging in Boston at the moment, far from my usual Atlanta haunts (nice to
see Fred Willard back!) and thought I'd read a little local color. Which in
this case means Jeremiah Healy's _Invasion of Privacy_ and Jerome Doolittle's
_Kill Story_. Doolittle first [evil publisher takes over local paper in
Cambridge and fires old staff. Protagonist, Tom Bethany, is asked by sweet,
little old lady to drive evil publisher out of town.]: I enjoyed the read,
quite amusing really and informative on the business of small local papers,
but harboiled it isn't. Every "good" character is too good and too equally
willing to join in the plot to bring down the (clearly defined) "bad"
characters to sustain any kind of tension. Bethany might make a hardboiled
character if he were in more dangerous waters than Cambridge, but there aren't
any other "tough" characters in the book. Of course Bethany has the "courage"
he needs because no one can threaten him and he knows no one can threaten him.

Now Healy [woman hires John Cuddy to do background check on fiancee who has no
background]: Cuddy is all cuddly with an assistant DA and still talks to his
wife, dead these seven years. Still, the man is stone hard-boiled. This is a
character who has stared death in the face in many of its guises, he knows the
world is cold and heartless, and he makes his own reasons for going on--chief
among which is love.

But love can be, in fact must be, the catalyst for horror. How can you know
what goes on inside that person across from you? Who are they? The unknown
has always led to terror. In this work of Healy's, love must be tested, like
courage and honor in Chandler's books, tested again and again to make sure it
is actually there. What happens when the test is made and love is lost? What
happens when the test is not made? What happens when the test itself violates
love?

Cuddy's client, Olga Evorovna, Boston banker, confronts the fact that she
doesn't know her lover, the mysterious Mr. Dees, at all. Can she go on loving
him? But that is just the love story that draws us into the book. Cuddy's
own story contains a brief (all too brief, imo) confrontation with cancer that
almost shakes Cuddy's DA girlfriend out of her relationship with him. Many of
the other characters too have their love stories, with their challenges.

I totally dug this book and the way it brought up issues of trust and faith
and suffering--and then didn't answer the questions it asked. Which prompts
me to ask if people could recommend hard-boiled love stories. Not stories
where "love ain't nothing but sex misspelled", but stories like _The Long
Goodbye_ and _Invasion of Privacy_.

Finally, I'd like to shout out to all the new members who've joined this
summer, particularly one David Harvey, who joined this bunch of miscreants and
felons with what was almost an apology for the caliber of his roscoe:

> As for my critical sensibilities, I hate to have to say it, but I find
> deconstructionism/post-structuralism along with a healthy dose of Marxist
> theory to be quite useful in teasing out information from the text.

No shame in this, my friend, no matter what the running dogs on this list
might
want you to believe (though what do you mean by adding that superfluous, and
ideological, "ism" to deconstruction? ;-j ). Go nuts, I got your back.

In fact, I got all y'all's back. But try to shoot straight anyway.

Cheers,
Marshall
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